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Monday, July 20, 2015

50 Born to Make the Kill

There isn’t anything as reverent as the hush of a murder scene. The pulsating rhythm of red, blue and amber lights cast by emergency vehicles gathered together for one purpose paint the canvas with an eerie hue of finality. Skilled hands, grave hearts and solemn voices conflate in the sober tasks of gathering, preserving and respecting the remains of the one who, without regard for their will, was forced to leave this world. Somber realizations of mortality haunt their souls as they are reminded once again how fragile a thread binds them to being.

It was just after 11 a.m. and Special Agent Angela Hawk of the FBI stood in the infamous Washington State drizzle beside a small pond. She watched the fervent bustle of the uniformed workers while she waited for the medical examiner to release the body. The conversation that had led her to this spot occurred thirty minutes earlier while she sat in her cubical at the Port of Vancouver USA. The stymied investigation had left her angry with the belief that she had lost her edge.



Agent Hawk!” she had shouted into the mouth piece, startled by the sudden interruption.

“Officer Palmero, Vancouver PD.”

“Yes, Officer?” Angela asked and felt the heavy weight of dread drive into her stomach. Her unofficial intuition told her what was about to come next.

“You put a BOLO out on Maria Caldron?”

“Yes,” she said. “Do you have news?”

“We found Ms. Caldron’s car partially submerged in a pond. There’s a woman’s body inside.”

“Damn that bastard,” she had said as she hung up the telephone. Maria had been her only witness and now it looked as though she had been killed because of it.




Just before Angela arrived at the site, a tow truck had pulled the car out of the pond and even now, the swamp water flowed like small waterfalls from its recently submerged cavities. The truck’s driver leaned against his rig. He wore a yellow hooded slicker, puffed on a foul-smelling cigar, and scratched the three-day stubble on his jaw while he waited for the vehicle to be released.

Angela watched as the paramedics removed the remains of a woman from the driver’s seat of the minivan. They placed her with care on a gurney, slipped her inside a black body bag and then one of them began to zip it closed.

Angela stepped forward and held up her hand to signal stop. When the EMT paused just short of covering the woman’s face, Angela glanced toward the medical examiner. She neither spoke nor needed to.

“I’d estimate time of death to be three days,” he began, “but since she has been in the water, I won’t know for sure until I get her on my table. Judging from the hole in her temple, I‘d say the cause of death is a single GSW to the head. There is no exit wound, so I should be able to retrieve the slug.”

”There’s no ID in the car,” Officer Palmero interrupted, “but the plate is registered to Maria Caldron.”

Angela looked down into the face of the motionless woman in front of her. It was bloated and unrecognizable to most.

“I believe it’s her,” Angela said. She held back the tears of frustration that threatened to flow down her ruddy cheeks. Maria had been home with her three children earlier that the week when Angela interviewed her about the case. “Ms. Caldron has a small mole on the right side of her nose.” She pointed to the woman’s face. “That could be it there.”

I’m a decorated agent of the FBI, she thought, and I let a vital witness get in harm’s way. How can I be so stupid? Now I’ve orphaned her three kids and for what?

As the EMT closed the black body bag, Angela’s cell phone rang.

“Hawk,” she answered on the second ring.

“Agent Hawk? This is Detective Caesar Garcia of the LAPD. We met at a conference a couple of years ago.”

“Yes, I remember, how can I help?”

“Well, you’re the only FBI agent I know and, as I recall, you seemed to have your head screwed on straight. I think I’m working a case that falls into the FBI’s court, do you have a moment?”

“Well, the jury’s still out on where my head is,” she said as she watched the gurney with her witness’s remains slide into the back of the emergency vehicle. “I have a few minutes, though. Go on.”

As she walked back toward and then got into her government-issue black SUV, she listened to the detective as he briefed her on the Natalie Beaumont case. When he finished, she asked, “There’s more isn’t there?”

“Well …, yes,” he said with a hesitation Angela read into his tone.

“What is it detective?”

“Well, it turns out that Ms. Beaumont does a little acting and on Wednesday she had a scene with Ansell Parker. I was at Xandar Studios a couple hours ago and learned the identity of another one of the suspects. He was a stage hand on the set that day. His name is Rudy Valencia.”

“Rudy Valencia. Got it,” she said and wrote the name on a notepad she had taken from her pocket. “You said there were three suspects, have you been able to track down the third’s identity?”

“Not yet. All I know is Hank. I did find he may have done some contract work for Xandar Studios. Beyond that, no one has a last name or knows what contractor he works for. Whether he had been on the set the other day is another mystery at the moment. Mr. Valencia’s apparently kind of a loner at work. He didn’t have many friends at the studio and even if he did, most of them are on location now in Europe. I’m trying to generate new leads, so I’m on the way to his apartment now. I did try to get some intel on Mr. Alonso yesterday when his name first came to light, but I ran into a major case of amnesia in his neighborhood.”

“No doubt. You were right to call as this does fall in Federal jurisdiction, although not in mine as their last known location is two states away from me. But the FBI will take the lead from this point. I appreciate you turning it over to us.”

“If you don’t mind, since Ms. Beaumont is a local and it started down here, I’ll keep digging around.”

“I see no reason to expend resources down there when you seem to be on top of things.” She remembered his hesitation a few moments before and added, “Is there anything else”

“Well … there’s one more thing,” Caesar confessed.

“One more thing? What that, Detective Garcia?”

“At Xandar Studios, I interviewed Adelaide Masters-Leigh.”

“And who’s she?”

“An executive at the studio,” Caesar replied, “and, if I might say, someone who’s quite filled with her own importance.”

“Ah, and what did she have to say?”

“Well after threatening to haul her and Salvador Sliman, the director, to headquarters, she finally gave up Mr. Valencia’s name. In the process, Mr. Sliman, much to her chagrin, let it slip that Rudy is Ms. Masters-Leigh’s nephew, her sister’s kid.

“I gave this information,” he continued, “to a contact of mine at the Associated Press, who said they would run with the story. It’s on the wire now.”

“Hum, I’m not sure that was a good idea. They’re already running and as far as we know the girl’s still alive. If they see this in the press, they may panic.”

“Well, in hindsight, it may not have been the best move, but Ms. Masters-Leigh pushed my buttons and I, well—”

“Payback doesn’t make for the best police work.”

“I know,” Caesar said.
_____
Can’t wait for more; go to Amazon.com to add this to your bookshelf.
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© Jearl Rugh 2012

All Rights Reserved

Sunday, July 19, 2015

49 Born to Make the Kill

Caesar had seen him a time or two on television at the Academy Awards. He wasn’t an avid star watcher, but, since he worked in the “The City” he thought it his duty to know as much as he could about his clientele. Mr. Sliman seemed shorter in person. The black horn-rimmed glasses and narrow face gave him a Woody Allenesque appearance, but the pudgy belly draped over his belt told a different story.

Salvador walked around behind the desk, leaned down and kissed the air next to Adelaide’s cheek. He then turned toward Caesar. The pompous look he gave revealed to Caesar his thoughts. Caesar wasn’t someone who could advance Salvador’s career or make him a million bucks.

Salvador’s first words where brusque and flew out of his mouth rapid fire. “Who is he?”

“Meet Detective Caesar Garcia, LAPD,” Adelaide said.

Caesar stood and held out his hand across the desk.

“I see,” Salvador said. He ignored the hand, walked around the desk, and took the other chair opposite Adelaide. “And what does he want?”

The detective felt as disregarded as a telephone call on hold. Caesar had met many rude people in his day but this guy had begun to emerge as the front runner for the asshole-of-the-year award—and the Oscar goes to … He looked down on the short man and said, “One of your actresses has gone missing.”

“Are you pitching a script?” he laughed. “That’s been way over done, don’t you think Adie?”

Caesar noticed Adelaide slip a not-so-discreet smile at Mr. Sliman but he continued to direct his statements to the boorish man. “No, I’m not pitching anything of the sort, I’m investigating a disappearance.”

“Ah, you must have me confused with David Copperfield,” Salvador said, and winked at Adelaide as if he needed her approval.

“No, sir, I do not.”

Salvador turned his eyes up to the detective’s, and asked, “Well, do you think I’ve misplaced this, this person?”

“Excuse me sir but you don’t even know who’s missing yet, do you?” It was all he could do to control the spittle on his tongue from spewing onto Salvador’s thick glasses, not that it would have bothered him in the least.

“No, it seems you have failed to tell me.” His tone changed from jovial to disdain. “Do you know, Adie? I don’t have time for twenty questions. Whom, may I inquire has disappeared?”

Caesar neared his last thread of patience. He looked at Adelaide Masters-Leigh and watched her face turn into a smirk. It seemed she enjoyed the Paso Doble Salvador and Caesar danced but he grew weary. Time was being wasted. “You may know her as Natalie Beaumont. She had a scene on your set two days ago with Ansell Parker.”

“With Ansell?” he asked, reflectively. “I seem to remember that. Yes, he did something not in the script. Hum, let me see, yes that little piss ant kissed her.” Then, with a turn of his attention to Adelaide, he continued with a wink, “What could I do, I kept it in.”

“Well, I’ll be forced to do something not in the script if it you don’t start giving me some straight answers. How does a parade in front of the press sound to you on your way to headquarters? That can be arranged faster than you can say ‘hocus pocus.’ The girl is missing, presumed abducted and raped. One of the last places she was seen was on your set, and the longer you delay, the more likely it is she ends up dead, if she’s not already.”

“Okay, okay. You don’t have to get in a snit,” Salvador conceded. He turned his face up to the detective and with a smile, continued, “By-the-way, have you ever thought of becoming an actor? The way you delivered that line and—”

“Mr. Sliman, please!” Detective Garcia interrupted. He held out the photo of the three men.

“Ahem, yes, of course,” he said, and took the picture “Let me see. Ah yes, I recognize this one. I don’t recall his name, but he works at the studio. Yes, he did lighting that day. Wait you must know him Adie, surely, he’s on the studio’s payroll.”

“The picture is hard for me to see,” she said. “It’s so fuzzy, like it’s out of focus.”

“Well, it may not be a great picture, but isn’t he your nephew?”

Caesar saw Adelaide hit Salvador with a hateful glance. At first this whole act made no sense. Since Salvador might know the boy and his relationship to Adelaide, why would she call him in rather than just give up the name earlier. Then, he realized it was because she didn’t want it said she had revealed anything about her sibling’s kid. She had banked on Salvador’s discretion to give up the name without disclosing her relationship. Exasperated, Caesar shot her a contemptuous look.

“One more delay in this investigation and I’m arresting you for obstruction of justice, aiding and abetting a fugitive and anything else I think might stick.”

“His name is Rudy Valencia,” she said, with a resigned tone, “my late sister’s son. I don’t know who the others are. Please can you keep this connection out of the press?”

“One of the others is named Tony Alonso,” Caesar said and disregarded her question for the moment, “does that name mean anything?”

Both Adelaide and Salvador shook their heads and looked at the floor like two children caught with their hands in the cookie jar.

“I’ve seen this other one around the studio,” Salvador replied and pointed to the older man with the soul patch, “but I have no idea what his name is. We have a number of companies who provide contractors. He could be one of them.”

“The third man is reportedly named Hank. I don’t suppose that jogs any memories?”

Adelaide and Salvador looked at him expressionless.

“I can’t promise that I’ll keep this out of the press,” he said, and focused his glare on Adelaide. “I’m much more concerned about Natalie’s safety than saving your reputation or causing a rift in your family. I wish I could say you’ve been most cooperative, but that would be untruthful, wouldn’t it?” The sarcasm gave a moment’s reprieve to his desire to cuff them together and lead them to his car. He took two business cards out of his shirt pocket and laid them on her desk. “If you think of anything else that could help this girl, please call me.”

He didn’t wait for a reply but spun toward the door. His shoes pounded the carpet like a mallet on a kettle drum. He couldn’t retreat fast enough to abandon the two to simmer in their own ignominy.
_____
Can’t wait for more; go to Amazon.com to add this to your bookshelf.
For more about me, visit http://www.jearlrugh.com/ or Facebook

© Jearl Rugh 2012

All Rights Reserved

Saturday, July 18, 2015

48 Born to Make the Kill

There is no such thing as an eight hour shift when a crime is in progress, Detective Caesar Garcia thought. He had become convinced that Natalie Beaumont had been taken against her will and was in imminent danger. Just after he finished a bagel and coffee breakfast on his way to Xandar Studios in Studio City, just off US 101, by nine o’clock he had spoken with a security officer at the front gate who directed him to the studio’s front office.

“You might find the information you’re looking there,” he had concluded as he raised the barricade and waved him in.

Before he left headquarters, he had retrieved an updated report and found Natalie was presumed to be in Northern California last night. The report stated she was believed to have been abducted and raped. Someone had been shot but it didn’t appear to be her. Good detective work by the Lassen County Sheriff had produced a photo of the three suspects and two of their first names. The third suspect was Tony Alonso. On a hunch, Caesar had run a report on Tony’s credit card but there had been no usage for the last several days.

He walked into the plush studio office, flashed his badge and a smile, and asked if could speak to someone about an actress who had recently done some work there. He was shown to an overstuffed avocado colored leather couch, offered a cup of coffee, which he declined, and asked if he would kindly wait. During the twenty minute wait between the offer of coffee from the perky receptionist and the appearance of a middle aged woman, which seemed excessive, he shifted position repeatedly on the couch, and glanced around the reception area at the billboard posters of the films produced through the studio and the black and white headshots of the household names he had seen many times on the silver screen..

When the woman at last appeared, he was greeted by a face that had been snipped and tucked so many times the pores on its tan cheeks stretched into tiny ellipses. These mutated pocked tracks gave the appearance of tiny ants on a forced march to her ears. She invited him into her comfortable office and took a seat behind a large mahogany desk.

“Detective Garcia, why, may I inquire, are you asking about Ms. Beaumont?” she asked.

If it wasn’t for the smoker’s gravel in her throat, Caesar would have thought the drawl from her Alabama upbringing would have sounded sexy.

“Indications are she’s been abducted and I’m tracking down leads,” he responded and waited for an offer to take a seat. It didn’t come. “And your name please?”

“My name?” The way she emphasized “my” implied “How dare you?” or “Is this really necessary?” She leaned back in her chair, placed her left forearm atop her head and glared at him.

Not to be intimidated, he had dealt with prima donnas before, he forged on. “Yes, ma’am, for my report.”

“Well, if you must know, Adelaide Masters-Leigh,” she replied, with a sigh. “Masters-Leigh is hyphenated. What leads?”

Her impertinence wasn’t lost on Caesar, but he pressed on. “A friend of hers said she was shooting a scene here a few days ago with Ansell Parker and he verified it with me last night.”

“You spoke with Ansell, but he’s—?”

“On location,” Caesar said and finished her sentence. “Yes, he very politely returned my call from Europe. Nice man. I was hoping to speak to anyone who was on the set during their scene the other day. I suspect someone there may have been the inside man, so to speak, and set up the abduction.”

“I can’t believe that would happen here, detective,” she said and switched her tone to condescending. “We’re such family here at Xandar.”

Yeah, the Adam’s family, he thought, but said, “I have a photo of the three suspects. I know the full identity of one, but I’m hoping to put a last name with the other men.”

“I see,” she said. “We don’t need, or rather I should say, want any problems from the police.”

She paused for a moment, and then continued, “Ansell Pa’ker is shooting a movie here, but as you’ve already astutely stated, he’s now in Europe on location. Most of the crew’s with him.”

Something in the way she said “Parker” without so much as a touch of her tongue on the “r” solidified in the detective’s mind she really was everything she purported to be—a Hollywood snob.

“If I gave you the impression the studio was somehow involved, I apologize. I know Mr. Parker knows nothing about this, he barely even remembers Ms. Beaumont. But his name and this studio were mentioned in the perpetration of this alleged crime, so I must follow up on it every way I can.”

Caesar reached into his notebook and pulled out two pictures. He first laid Natalie’s photo in front of her on the desk and then held the photo of the three men taken from the security tape level with her eyes. “I’m only trying to find out if someone here recognizes any of these men.”

“Beautiful girl.” Adelaide leaned forward in the desk chair and looked at the picture of Natalie. Then, with her attention on the second photo held by the detective, she squinted, and picked up a pair of glasses. “That’s a poor quality photograph. I can’t say I recognize any of these men.”

He felt that may well be the truth but his instinct said absolute honesty wasn’t Ms. Masters-Leigh’s forte. “Is there anyone around who would know people on the set?” he asked. With great effort, he tried not to reveal the exasperation about to spill out.

“Well there might be one,” she said and looked up from the second photo. She reached for her computer, made a couple of clicks with the mouse, and then picked up the telephone receiver. “Yes, could you come to my office, da’ling, there’s someone I’d like you to meet.”

Adelaide put the receiver into its cradle leaned back in her desk chair, and shot Caesar a smug look. “Could I order you coffee while we wait?”

“No, thank you,” he said and then pointed to one of the two side chairs. “May I?”

“Pa’don me, detective. Where are my manne’s? Of course, please take a seat.”

“How long will it be?” he asked as he sat across from the executive and kept both feet on the carpet.

“Only a few minutes, he’s just across the lot.”

“I see, and who is he?”

“Salvador Sliman; you know the name?”

“Yes, director, right?”

“He’s one of the assistant directors on Mr. Pa’ker’s film. I believe he was on the set with Ansell a few days ago. ”

“And he isn’t on location?”

“No, I believe he goes over the first of the week.”

The door opened and Salvador Sliman walked in.
_____
Can’t wait for more; go to Amazon.com to add this to your bookshelf.
For more about me, visit http://www.jearlrugh.com/ or Facebook

© Jearl Rugh 2012
All Rights Reserved

Friday, July 17, 2015

47 Born to Make the Kill

For the last thirty-five minutes Tony had continued to drive north on US 395. Natalie had watched the lights of Johnstonville pass and noticed the highway take a turn east. The last sign she saw in the headlights said that Standish was just ahead.

In the backseat with Hank’s head in her lap, even with her wrists tied together, she had applied constant pressure to his wound. In the dark she couldn’t tell if the bleeding had slowed. She would need to remove the jury-rigged dressing to make a visual inspection, but now wasn’t the time to bring that up. The rattle in his chest hadn’t worsened, so she hoped he had stabilized for now. At least he was alive.

“We’ve got to ditch this car,” Tony suddenly blurted out. “Start looking for something.”



Rudy tuned his eyes to the windshield and searched both sides of highway for a car to steal. He knew this would only get him deeper in trouble if they ever got caught, but he didn’t know what else to do. Besides, he was in so deep now one more crime didn’t matter. For his sake and for Natalie’s he had to try to build trust with Tony. That, he thought, would be their salvation. Get Tony to relax and then spring at the next opportunity. Up ahead, he saw the sign for an upcoming intersection. He swallowed hard and worked up his take-charge nerve.

“Let’s turn down here,” he said and stretched his voice to assert a confident tone. “I’ll bet there’s something there, more off the beaten path.”

They made the turn and drove for a couple of miles. Just ahead Rudy made out a dim light on the peak of an old brown barn. Beneath it, a van sat alone.

“Look … there.” He pointed his finger toward the barn.



Tony tore his fatigued eyes away from the country road and looked to where Rudy indicated. As they approached, he slowed down and looked for signs of life. He found none. A Ford Econoline with broad, dark and light blue bands painted around the entire body, looked to be about twenty years old. It sat in the open with the driver’s side exposed to the road. Tony steered the Impala in behind it on the passenger side and stopped parallel to it about five feet away.

“Get Hank ready to be moved,” he said, and jumped out of the sedan.

He started with the side cargo door, and tugged each door handle until he found one unlocked. The rear door opened. He glanced inside. By the light coming from the security lamp on the barn he saw that it was made for cargo with no seats in the back. The bed was full of tracked in dirt, mud, manure, hay and god knows what else, but he didn’t care, so long as the engine fired off.

Tony stepped on the rear bumper, pulled himself inside and climbed through the cargo area. He lifted the lock on the side door and then stepped between the two front two seats. When he reached the driver’s seat, he felt under the dashboard and found the two ignition wires. He yanked them free with a quick jerk and touched the bare ends of the wires together. When the engine roared to life, the tautness in his chest relaxed.

He rotated in the seat, and stepped to the double side doors. Once on the ground, he opened the back door of the Impala next to Natalie.

“Get into the van,” he shouted at her. He put his hand on the butt of the gun to inculcate again he was in charge and that this wasn’t a request.

She held up her hands which were tied to her feet. The “you’ve got to be kidding” look pissed him off.

“Don’t give me your shit, move your ass over there, now.”



Natalie clenched her jaw to steel herself against Tony’s cruelty, maneuvered herself out from under Hank’s head and swung her feet out to the ground. As she reached for the arm rest on the door for support, Tony grabbed her left arm and pulled her to her feet. He shoved her hard in the direction of the van. Without being able to move her feet and with nothing to hold onto, she lost her balance and fell to the dirt on her knees.

“Ah,” she groaned as the grit ground into them and the warmth of blood wept from the fresh wounds.

“Get the hell out of my way, bitch,” he screamed and toppled her over with his foot.

She fell hard onto her left side, still tender from being kicked by Tony just after she shot Hank. Her hip and elbow took the brunt of the impact but the pain radiated through her whole body. She wanted to lie there to recuperate for a moment but she could see that Tony had already reached into the back seat of the sedan for Hank. If she stayed there, it wouldn’t be long before he would kick at her again.

She rolled to get out of his way and realized if she rolled another time, she would be close enough to the van to get inside. The alternative, to slide the distance on her hands and knees, and with her knees raw, that wasn’t an attractive option. When she was close enough to reach the opening, she supported herself with her hands on the step and pulled herself to her feet. She hopped closer until she could turn her body and sat on the step. She shimmied backwards into the cargo area.



Tony turned back to Ma’s car and looked into the open rear passenger compartment. Hank was unconscious, wrapped like a burnt orange mummy in the bedspread stolen from the motel. Rudy had opened the other door of the Impala, ready to move Hank. Tony grabbed his friend’s shoulders and with Rudy’s help slid him across the Chevy’s back seat. Once Rudy stepped out the car and took Hank’s feet, they carried him to the side cargo door of the Ford van. Tony backed his way up the single step and laid Hank on the floor with his head toward the front of the vehicle near Natalie. Rudy followed and placed Hank’s feet on the steel floor.

As Tony stepped over Hank to get into the driver’s seat, Rudy stepped back through the rear opening and turned to the sedan to gather all the supplies and personal belongings. By the time he dropped the last thing—Natalie’s purse—on the cargo floor, Tony, glared back to him from the driver’s seat.

“You wanted to drive,” Tony shouted over the whine of the engine, “take the Chevy and follow me, and don’t try anything. Remember, she’s with me.” Then he faced Natalie and continued, “Keep pressure on that wound, damn it.”



As Tony slammed the van into drive and gunned the engine, Natalie adjusted herself behind him on the dirty, cold, corrugated floor. She pulled Hank toward her and placed his head on her thighs. Even through her jacket she felt the cold steel of the van when she leaned back against the side.

After her second attempt to escape had failed, she had begun to lose hope she would survive this nightmare. Two police officers had been within a stone’s throw, possibly searching for her, and yet she failed to flag them down. As she set her mind to find other chances of escape, she remembered her mission. She reached to Hank’s chest with her bound hands and applied pressure to his injury. The wound felt wetter than it had been. In the motel room she had seen Hank’s face turn pale. Through the back window, the headlights of the sedan reflected off the white roof and she now saw it had faded to a sallow gray. He couldn’t last much longer without medical help and if he died, her immediate future also was terminal.
_____
Can’t wait for more; go to Amazon.com to add this to your bookshelf.
For more about me, visit http://www.jearlrugh.com/ or Facebook

© Jearl Rugh 2012

All Rights Reserved

Thursday, July 16, 2015

46 Born to Make the Kill

“Stupid move, bitch!” Tony shouted above the sound of the siren’s retreat into the distance. Winded, he continued, “I should waste you right here and leave your ass so the crows can pluck out your eyeballs.” He pulled her arm hard, back toward the car.

“We need her to help keep Hank alive,” Rudy, who just ran up beside them, yelled between gasps for breath.

“I know, shit–for-brains! And I’m not done with her yet, either.”



After they got back to the Impala, Tony tore a strip from the burnt orange bedspread Hank was wrapped in. With one end he bound Natalie’s feet. He tied the other end around her wrists with just enough play in the constraints so she could continue to put pressure on the chest wound. He had gone soft on her for a while in the motel room and let her roam at will. Now, even with the threat of a bullet to the brain, he saw what she was capable of. Yet even though she may be worthy, he wouldn’t let her run free again until he finished what he started.

As he entered the highway and steered the Impala north away from the sirens, he said to Rudy, “When we pass the motel, look to make sure that pervert doesn’t see us. If he does, we’ll have to kill him.”



Moments later as they whisked past the motel, Rudy unable to stop a sigh of relief, said, “No one.”

One dead and one shot was enough blood on his hands for one day. He knew all of this was his fault. If he hadn’t been so in love with Natalie, none of this would have happened. Natalie indicated she would rely on him to help her escape, but so far she had done all the work. All the time he had spent in the back seat plotting had led to nothing. No plan, not even a flicker. She hadn’t come right out with it, but the implication was obvious; if she escaped without his help, he would go down with Tony and Hank.

He needed a plan. Can I earn Tony’s trust? Tony had hardly slept in thirty-six hours, and now behind the wheel again, Rudy had an idea.

“If you need me to drive,” he said with a bright tone. “I’d be glad to spell ya.”

Tony didn’t reply, he just continued a steady pressure on the accelerator. Rudy turned toward Natalie. Her head was bowed toward Hank. Through the rear window he saw the orange florescent marker for Pair-A-Dice shrink into the distance.



Deputy Karl Krusher spotted the lights of the convenience store windows. He turned his car across the highway and pulled into the parking lot in front of the glass entry. Amos Garrett pulled into the stall next to him. Only one other car sat in the lot, Karl presumed it belonged to the store’s clerk. He left his engine running and lights flashing as he stepped from the vehicle. Karl led the way into the store with hope for a quick lead,

“Good evenin’ deputies. Is there somethin’ I can help ya with?” asked the over cheerful night clerk. The slender, straggly-haired, fortyish white man wore an uncombed beard that hung below his collarbone.

Karl noted that the man looked like he had lived a rough life. He spotted the smoke from a cigarette waft up from an ashtray behind the counter, a clear violation of the no smoking sign on the glass entrance door.

“Hey Amos, how ya hanging?”

Amos nodded an acknowledgement toward the clerk.

“We’re wondering if you’ve sold any diapers tonight.” Karl asked.

“Well, come to think of it, yes sir,” the clerk said slowly, “guess I did ‘bout an hour or so ago, I suppose. Young feller came in, spent quite some time lookin’ ‘round and then bought them prefab diapers, maskin’ tape, the wide kind, and a pair of scissors. I thought it kind of an odd combination, but hey, whatever gets a guy off, know what I mean?”

“Ever see this guy before, Phil?” Deputy Garrett asked.

“Well, now that ya mention it, earlier this evenin’ three guys come in and bought a lot of beer, soft drinks, munchies, sandwich fixin’s and stuff. The guy with the diapers was one a them. But before that, I never seen him, nor the others.”

“So, you would say they’re not from around here?” Karl asked.

“Naw, I know most folks around here and they ain’t none a them.”

“Did they pay with plastic?”

“Naw, one of them pulled out a couple of twenties.”

“What about the car? Did you happen to get a look at their car?”

“Did you happen to get a look at their car?”

“Yep …, maybe better than that,” he said and pointed to a camera that hung from the ceiling almost hidden by boxes on the top shelf of the tobacco rack. “I got pictures.”

“Excellent, we need to see them,” Karl said.

“‘Okay,” Phil said, and stared at him for a moment, not moving.

“Could we see the surveillance video now, please?” Amos asked.

“Oh, ya wanta see it now. I was thinkin’ ya meant after we was done with the tape.”

“Please,” Karl said, and while Phil reached down under the counter, he stole a glance at Amos and shook his head.

Phil played with the VCR for a few moments while the two officers watched a small monitor next to the register. After a couple of minutes Karl saw the front door of the store open on the screen and a teenage boy entered. Behind him he could make out the vehicle. Since it had been night when the video was shot, he could only see the front end by the light of the store. Just as Benjamin had said, it was an old dark sedan. The license plate was almost visible.

“How long you been running that tape tonight?” Amos asked.

“Uh, it was runnin’ when I took over from ‘enry, that would be ‘bout … five hours ago?

“We need to take this tape to the station,” Amos said.

“’Course,” he said absently and continued to watch the screen while he reversed the tape.

“Now!” Karl commanded.
_____
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Wednesday, July 15, 2015

45 Born to Make the Kill

Tony had dozed off so quickly, the sudden pain from the sharp object at his ear seemed like something out of dream—a mutant blood-thirsty mosquito. But when he heard the back door open, he realized Natalie was making a second escape. He shook his head to clear the sleep and reached between his legs for the gun.

Where the hell is it? He sat erect and turned to Rudy. You son-of-a-bitch … But when he saw that Rudy hadn’t stirred, he realized it must have fallen. He reached to the floor beneath the steering wheel. The cold steel of the Python warmed his frozen soul. He pulled the door handle, pushed it and jumped out.



Natalie heard his door open and knew at any second he might fire the gun. She had already run twenty feet from the car and passed a second row of almond trees. She needed as much distance as possible between her and the pistol. She hoped that in the dark and with her moving so fast Tony’s aim wouldn’t be accurate.



Tony raised the pistol and pointed it in the direction of the shadowy figure. He could just make her as she ran between the trees, but as he brought Natalie into his sights, he remembered his mission. This wouldn’t help Ma. He lowered the gun and then heard for the first time the approaching sirens. He looked back to his right and could see the emergency lights of the speeding vehicle. He gave chase.



Rudy, who had dozed off even before Tony had fallen asleep, woke when Natalie’s door groaned but sat up straight when Tony’s door flew open. He looked over just as Tony jumped out of the car. In the darkness it was difficult to see Natalie but it appeared she had at least a thirty foot lead on Tony. He tore open his door and jumped out. A sheriff’s cruiser’s siren wailed to his right and, as he started to run toward the highway, he saw a second light bar come into view.



Natalie continued to run the path she had spotted to the highway. In high-heeled boots, her ankles wobbled on the uneven ground: sometimes muddy, sometimes choked with tall grass, sometimes cluttered with low hanging limbs she had to skirt around. She had only covered the first thirty yards.

Without breaking stride, Natalie glanced over her right shoulder. Tony had begun to close the gap between them. She turned back to her path disappointed he hadn’t fired the gun. In the dim light, she had counted on being far enough away that he would miss, but the police on the road would see the flash. Now she saw two cars, the second only a few yards behind. She had chosen a path to the highway on an oblique angle. Because of the trees, it offered more cover. But it also meant she had further to go than if she had run straight from the car toward the asphalt. It was a big risk and as she stepped around another tree, she feared she wouldn’t get there before the first car passed.



Tony too saw that he had gained ground. She was at a disadvantage because he had never met a girl he couldn’t outrun. He had a vision of her tripping over some hidden obstacle and falling face first in the dirt. But she was agile and hadn’t missed a footstep—a worthy subject.



Rudy ran toward the highway, straight down the tractor path on which the Impala had entered the grove. He hoped to reach the road in time to flag down one of the deputies but he had only gone a few yards when the first car blew by the trail.

“Damn it,” he said, frustrated that the cops were oblivious that anyone in the grove needed help.



Natalie felt winded but when the first car passed, she didn’t hesitate. She had much ground to cover. One hope remained. The second car, only a few seconds behind the first, closed quickly and she sprinted like the fires of Hell nipped at her feet. She came to a particularly dark place, no moonlight found its way through the foliage over her head. Even though she feared tripping, she had come this far and was so close, she pressed on. It had only been fifteen seconds since she left the sedan and she was only thirty yards away from the highway, but the second car screamed forward.



Tony could see her profile through the cover of the trees just a few yards ahead. He thought she might be able to get close enough to the road to be caught in the headlights of the passing cop’s car. Too much tobacco cost him breath, but even though he couldn’t see the way very clear, he sprinted faster, unafraid of tripping. He had to stop her before she got too close to the highway.



Rudy continued to run toward the road, but the second car with its deafening siren passed while he was still fifty feet from it. He knew he couldn’t stop the officer and realized Natalie wasn’t going to either. He made an abrupt left turn and ran toward where he believed the other two figures were.



Natalie looked at the oncoming vehicle and realized the second driver wouldn’t see her either. Fifty feet from the road but still in the line of trees, she continued forward, waved her arms in frantic frustration and then cried out, “Stop!” But the wailing siren drowned her voice so if the sound had not been in her own head, she wouldn’t have heard it. As the cruiser passed, the blue, red and white strobes lights danced their syncopated rhythm and faded into the night. Along with them, hope evaporated, but her legs had a will of their own and continued the sprint toward the now deserted highway.

Then out of the darkness, someone seized her right arm and jerked it backward. Forced to stop, she twisted toward Tony and reached with her free hand to pry his fingers off her arm. She was greeted with the Colt’s cold steel muzzle pressed against her cheek.
_____
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© Jearl Rugh 2012

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Tuesday, July 14, 2015

44 Born to Make the Kill

Tony Alonso, Rudy Valencia and Natalie Beaumont sat in silence under a canopy of almond trees. A hushed breeze whispered through the grove. The cool nights and shorter days of autumn had caused the leaves to begin to fall, and rivulets of moonlight shimmered through the voids between the branches like old fashioned Christmas tree tinsel. The unlikely trio was invisible to passing vehicles tucked into the darkness a hundred yards off US 395 on an orchard maintenance trail, not much wider than the tractor and almond shaker it had been meant for. They waited.

Natalie looked toward the face of the fourth passenger, the man with his head in her lap. She couldn’t see him in the dark, but the weight of his head on her thighs, the rumbling vibration as he struggled to breathe and the sticky moist effects of the oozing wound under the diaper gave more than a casual witness to his presence. She wondered what kind of life choices it took to become someone like Hank. She knew nothing of his short lived rock-n-roll fame, but as she reasoned, she imagined that some trial or combination of misfortunes had turned him into this tortured soul. That despondency would have imprinted an ugly scar on his psyche and driven him to find ways to compensate for the deficiencies. More than one road would have opened to him, yet it was apparent Hank headed down the path of least resistance, one often travelled by men of such mind. He sold his soul to abuse, without any respect for himself and with little for others. Then, in the course of time, this led him to become an abuser and he vented his recompense on her. Now it would most likely cost him his life.

As they waited, the only constant was the wheezing, gurgle coming from Hank’s lungs as he labored for breath. To put her hands around his neck and cut off the blood supply to his brain wasn’t a malicious thought. He was going to die anyway and probably soon; it would have been an act of mercy in some ways. However, whether she believed in it or not, since childhood she had been taught that if she killed him now, she would send him to Hell. She didn’t want that responsibility despite his assault. She may have started his descent, but let God take His own course and finish it on His timetable.

Tony had made it clear that her security was inherently tied to Hank’s. Of course, he didn’t have to die, but Tony wouldn’t raise a finger to save him because that might threaten his safety. So with a death sentence, she needed to keep him alive as long as possible.

Unless there was a way to escape.

A few silent minutes passed broken only by the swish of an occasional car on the highway and the low wheeze in Hank’s lungs. When he coughed again, Natalie used the distraction of the sound to find the purse she had placed at her feet. She began to search the outside pockets for the long steel fingernail file she had found while she had been imprisoned in the trunk. She leaned forward a little to reach inside and the seat spring creaked.

“What the hell are you doing?” Tony’s shout sent a chill down Natalie’s spine.

“Just adjusting Hank a little,” she claimed, and slipped her fingers into the first pocket. The file wasn’t there. “His head is heavy and my leg is falling asleep.” She reached for the pocket on the other side, which meant she had to bend forward just a bit further.

“You damn well better get used to it,” Tony scoffed. “Once we get going, you’re likely to have him in your snatch for a long time.”

Natalie bristled at first but then let the objective slur go. Her fingertips slipped over steel. She braced it against the inside of the pocket and slipped it slowly out. Satisfied, she relaxed back into the seat again.

“That’s better,” she said with conversational tone. She needed Tony to think she had resigned herself to her fate.

Next, she felt the inside door panel with her left hand until she located the door handle. Now she just had to wait, something she had become quite practiced at over the last twenty hours. She breathed deep and fixed—in through the nose out through the mouth—to steady her nerves and slow her racing pulse.



After they settled into the almond orchard, Tony had pulled the revolver out of his waist band and laid it on the seat between his legs. It had been more than a day and half since he had seen a bed for longer than a couple of hours and, except for some not-long-enough naps, he had very little sleep. He had hoped for a night’s rest at the motel, but that had been sabotaged by Natalie’s escape attempt. Coupled with the endless driving, the drunk he killed and now with Hank shot, wound him as tight as one of Hank’s old snare drums. He just wanted to close his eyes. Fatigued beyond anyone’s recognition and his head too heavy to hold up, he slid down until his head rested against the back of the seat. The gun fell to the floor without his notice, and his eyelids sagged and went shut.



It had been no more than twenty minutes since the two sheriff’s cruisers had first passed by the concealed car. Natalie thought she knew what Tony had had in mind, and if she was right, she wouldn’t have to wait too much longer. She had studied the grove as best she could in the filtered moonlight and occasional headlamps, and thought she had found a way out.

She had the door handle in her left hand and the fingernail file in her right. Poised to stab like a knife, she placed her thumb tight over the blunt end. She knew it wouldn’t do much damage, but it might disorient Tony long enough to get a few steps ahead. He had scooted down in the seat and she hoped he’d fallen asleep. That too would improve her odds.

Within five minutes she heard the whine of the first siren. She had to act now or give up like she had done twice before while imprisoned in the trunk. She felt buoyant due to her successful assault on Hank.

At the same moment she pulled the handle of her door, she reached up to thrust the fingernail file toward Tony’s right ear canal. She missed the opening and connected only with cartilage. It fell right out, but she hoped it was enough to pull his attention away from her for the few seconds she needed. She forced the door open with her left shoulder. The dry hinge gave a loud squawk, but she leapt from the car and headed in a diagonal path between the trees toward the pavement.
_____
Can’t wait for more; go to Amazon.com to add this to your bookshelf.
For more about me, visit http://www.jearlrugh.com/ or Facebook

© Jearl Rugh 2012

All Rights Reserved